[I563.Ebook] Free PDF Marina Abramovic: The Artist is Present, by Arthur Danto, Chrissie Iles, Nancy Spector, Jovana Stokic

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Since the beginning of her career, in Belgrade in the late 1960s, Marina Abramovic has been a pioneer of performance art, creating some of the most important works in the field. Marina Abramovic: The Artist Is Present accompanies an exhibition at The Museum of Modern Art that documents approximately 50 of the artist's ephemeral time- and media-based works from throughout her career. The book also discusses a unique element of the Museum's retrospective, live performance: a new work created for the occasion, and performed by Abramovic herself; and re-creations of the artist's works by other performers―the first such to be undertaken in a museum setting. The book spans over four decades of Abramovic's early interventions and sound pieces, video works, installations, photographs, solo performances and collaborative performances made with the Dutch artist Ulay (Uwe Laysiepen). Essays by Klaus Biesenbach, Chief Curator of Media and performance art at MoMA, and four distinguished scholars examine Abramovic's ideas of time, duration and the reperformance of performance art as a way to extend it into posterity. The Artist Is Present also includes a CD with audio commentary by the artist that guides the reader through the publication. The artist is present not only in the exhibition but also in the experience of the book.Born in Belgrade just after the end of the Second World War, Marina Abramovic was raised in the Serbian Orthodox Church (her great uncle was a Patriarch and a canonized saint in the Church) and left Yugoslavia in 1976, having already established herself as a performance artist, living in Amsterdam and eventually New York, where she presently lives.

• Sales Rank: #1028484 in Books
• Published on: 2010-04-30
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x 9.50" w x 1.00" l, 3.80 pounds
• Binding: Hardcover
• 224 pages

Most helpful customer reviews

15 of 15 people found the following review helpful.
The Inimitable Marina Abramovic
By Grady Harp
The Museum of Modern Art in New York devoted three months this year to an intensive examination of the works thus far in the career of the gifted and very important performance artist Marina Abramovic, born in 1946 in Yugoslavia an living now in New York. This book is more than a catalogue of a museum exhibition - though it is indeed that also. This very fine book, accompanied by a CD of interviews with Abramovic that aids in explaining the various performances, is filled with photographs that are stills taken form the videos of her many profound performances. Not only are the works in this exhibition new works, but there are also works form previous years re-enacted live for this survey of the artist's works. These include the some of the early interventions, the sounds pieces, video works, installations solo and collaborative performances where she is joined by longtime collaborator Ulay (Uwe Laysiepen).

Though given that it is difficult to create a static book about an artist's work that is all about tie and interaction and motion, this fine catalogue accomplishes the impossible, largely due to editor Klaus Biesenbach and contributing writers Arthur Danto and Chrissie Iles. Some of the performances will be familiar to those who follow the contemporary art world, such as the performance where Abramovic and Ulay stand naked in an elevator observing the reactions of people who walk between them. Other creative performances are captured in photographs - images of the artist's creations both during the exhibition and re-enacted by other artists during the run of the exhibition. The works are all discussed and explained, very often by the artist herself.

Although there are many books about Marina Abramovic available, this particular book captures the type of art this genius of an artist has created and continues to perform. It is a splendid addition to the library on contemporary art. Grady Harp, September 10

1 of 1 people found the following review helpful.
Amazing
By Alvaro
It is an amazing book. It is very important to study about performance art. I liked very much. It came with a cd.

0 of 0 people found the following review helpful.
Trail blazer as an artist!
By Jo-ann Mccausland
This artist takes my breath away! I sooo wish I'd had the opportunity to see her at MOMA in NYC.

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[U273.Ebook] Free PDF The Top 40 Annual 1988, by James Masterton

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This was the year that several new eras in music began. The year of the first ever home-grown house music hits, the year Kylie Minogue made her musical debut and the year some of the dominant sounds of the next decade began to make their mark. The echoes of 1988 still resonate in the background of many of today's biggest chart hits. Now you can read the full story behind every one of the biggest hits of 1988. Leading chart historian James Masterton takes you through a detailed account of every act and every hit single to reach the UK Top 40 during the course of the year. Inside you will learn: Who Pete Waterman described as "my favourite idea for a pop group ever"; Which Belgian was the brains behind two of the biggest 'British' house music hits of the year; Just who was New Order's Bernard Sumner imitating on "Fine Time"; Who first performed the biggest selling single of the year on television; Which Dutchman dragged a famous 1960s hit kicking and screaming back into the Top 10 and in the process its singer back from Spanish retirement; Who was the first person to record Kylie's second hit; Which acid house hit ended up using footage filmed for another hit single as its hastily produced video. All this and much more can be found in this essential guide for any music fan of the 1980s.

• Sales Rank: #2645523 in Books
• Published on: 2015-04-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.24" w x 6.00" l, 1.60 pounds
• Binding: Paperback
• 548 pages

About the Author
James Masterton is one of the longest-serving music writers online, having written a weekly guide to the UK Charts since 1992. He has written for dotmusic.com and Yahoo! Music and since 2011 his weekly chart new column has featured on top40.about.com with a worldwide readership of thousands. He has appeared on BBC and Channel 4 television as a music critic and spoken on radio stations across Europe about the latest events on the UK charts. He is host of a weekly podcast discussing all matters relating to the British music charts. Running since 2008, it celebrated its 300th edition at the start of 2015. He lives in Sidcup, South East London and spends his days making sports radio programmes, although he cannot tell you who won the FA Cup last year.

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0 of 0 people found the following review helpful.
engaging and entertaining
By Amazon Customer
Fun and informative. A great year for pop in the UK.

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Facts101 is your complete guide to Core Concepts of Accounting Information Systems. In this book, you will learn topics such as Documenting Accounting Information Systems, Organizing and Manipulating the Data in Databases, Accounting Information Systems and Business Processes: Part I, and Accounting Information Systems and Business Processes: Part II plus much more. With key features such as key terms, people and places, Facts101 gives you all the information you need to prepare for your next exam. Our practice tests are specific to the textbook and we have designed tools to make the most of your limited study time.

• Sales Rank: #2948804 in eBooks
• Published on: 2016-09-26
• Released on: 2016-09-26
• Format: Kindle eBook

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Book Three of the Daddy School series, originally published in 1998. Dennis Murphy’s rambunctious seven-year-old twins swear he’s the best lawyer in Arlington, Connecticut. They don’t make his job easy, however. When the nanny he hires to watch the twins walks out on them one afternoon while Dennis is meeting with the opposing attorney concerning a libel case, Dennis is forced to bring his work home with him.

Gail Saunders is a lawyer in the public defender’s office. When her former client, a Russian immigrant who’s had a few scrapes with the law in the past, implores her to sue the city’s newspaper for libel after his name appears in a front page article in connection with a series of thefts, she agrees to represent him, even if it means going up against Murphy and his prestigious, wealthy law firm, and even if it means she has to deal with his wild children once their nanny goes AWOL. Gail isn’t the sort to become all warm and fuzzy around children—especially imps like Sean and Erin Murphy. She’s missing the maternal gene, and the romantic gene as well. Just because Murphy is smart and funny and sexy as hell doesn’t mean she’s going to fall for him. She knows his seductive charms are merely tactics in his effort to win the libel suit.

Being the sister of one of the founders of the Daddy School, Gail believes Murphy could use a few lessons in how to be a better father. But she’s got a few things to learn, too, and Dennis Murphy might just be the man to teach her.

• Sales Rank: #332223 in eBooks
• Published on: 2013-11-30
• Released on: 2013-11-30
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
father of two
By Amazon Customer
I read the entire series yet this one I had to stop reading because I was laughing so hard and for so long my back hurt. Any one who has children or cousin and niece and nephews at this age know this happens so often it makes the story so much believable. The character in this book are what most people feel like doing to others when things are out of control. Enjoyed the book which it was a lot longer.

1 of 1 people found the following review helpful.
Cute and inspiring
By M..A. Probart
Loved this book.
You fall in love with every character and the storyline. You can lose yourself in the story and feel the pain of the heroine and the love of of the man.
The whole series is great and are easy reads.

1 of 1 people found the following review helpful.
Really fun series
By Sue Williams
The women are smart, capable and funny, the men likewise so. The kids are just exactly what kids should be, not an angel in the group! There are poignant tears-in-the-eyes moments and laugh-out-loud moments. Great series!

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“A riveting imagined world, so real in fact that one always wonders if it is imagined at all.” —Scott Turow

Made restless by the tightening restrictions of CIA bureaucracy, agent Alan Taylor oversteps moral and legal bounds in a top-secret mission to destabilize the Soviet Union. His new recruit—the beautiful Anna Barnes, who struggles with complex feelings for Taylor—receives a deeper education than she signed up for in David Ignatius’s trademark world of shifting international and domestic pressures, hidden loyalties, and secret agendas.

• Sales Rank: #766005 in Books
• Published on: 2013-05-28
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x 1.50" w x 5.50" l, 1.07 pounds
• Binding: Paperback
• 624 pages

From Publishers Weekly
The tottering Soviet empire and a U.S. whose power is unraveling around the globe provide the context for a spy thriller that succeeds as both stunning entertainment and searching probe of the contemporary political chessboard. Alan Taylor, CIA chief in Istanbul, sentimental nihilist and professional malcontent, enlists nervy, vulnerable Anna Barnes, fresh from Harvard's department of Ottoman history, on a mission to destabilize Moslem-dominated Soviet Central Asia. Together they recruit a crude, burned-out ex-CIA man in Athens, an Armenian dissident intellectual and an Uzbek ex-Nazi agent who has been living among Orthodox Jews in Brooklyn. But Taylor, who keeps overstepping company rules and ethical norms, saves the most dangerous part of the mission for Anna, with whom he is having an affair. Ignatius ( Agents of Innocence ) ranks with Graham Greene in his knowledge of espionage and the human heart. Petro-hustlers, arms dealers, an obnoxious CIA psychiatrist and Islamic nationalists seeking freedom from Russian rule crowd a tricky tale of power politics and double cross. 75,000 first printing; $100,000 ad/promo; BOMC selection.
Copyright 1991 Reed Business Information, Inc.

From School Library Journal
YA-- A spy novel in which readers are introduced to the ruthless world of international intrigue through novice CIA agent Anna Barnes. The time is 1979 and the U. S. appears to be losing the upper hand to the Soviet Union. The Shah of Iran has just fled, and in the U. S. Embassy Americans are being held hostage. The stability of the Middle East is wavering. In Latin America, the U. S. backed dictator of Nicaragua has sought refuge in the United States, and a treaty has just been signed with Panama to turn over control of the Panama Canal by the year 2000. The good old boys of the CIA are being called to task for this unsettling state of affairs by watchdog Congressional committees. The novel is fast paced, accurate, and suspenseful; the characters are memorable. Ignatius draws upon his experience as the foreign editor of the Washington Post to create a story that is so realistic that it is difficult to believe it is fiction. First-rate. --Dolores M. Steinhauer, Thomas Jefferson Sci-Tech, Fairfax County, VA
Copyright 1991 Reed Business Information, Inc.

From Library Journal
A CIA plot to spread disinformation among Soviet southern republics is the brainchild of aging CIA operative Edward Stone, who neglects to inform his superiors of his plans. Stone recruits bored CIA Istanbul bureau chief Alan Taylor and fledgling CIA agent Anna Barnes, and the three of them set off to stir up the Uzbeks, Azerbaijanis, and Armenians. Ultimately, the CIA discovers Stone's adventure and scrubs the operation, leaving Taylor and Barnes to fend for themselves. At no time does this come across as a serious spy thriller. The main characters, Taylor and Barnes, are not very appealing, and the plot suggests little in the way of intrigue and excitement. If author Ignatius intended to write a hair-raising, action-packed spy thriller, he has missed the mark. His Agents of Innocence (LJ 9/15/87) was a success; Siro is not. Previewed in Prepub Alert, LJ 12/90.
- Brian Alley, Sangamon State Univ. Lib., Springfield, Ill.
Copyright 1991 Reed Business Information, Inc.

Most helpful customer reviews

21 of 24 people found the following review helpful.
The best description of Armenia in fiction -- and much more
By Charents
I read SIRO for one reason only: it was the only work of fiction I could find that had scenes set in Armenia. Even if that leaves you indifferent, this is an excellent spy novel and well worth reading. Ignatius's research -- geographical, historical, and organizational -- is superb. While his story briefly spins into something not quite believable, his underlying description of the CIA and its employees rings true. Ignatius neither glorifies nor deamonizes them, he simply recounts what their lives must be like and what he believes they must feel.
And if you are one of the rare few that is interested in Armenia as a backdrop for at least part of a novel, you will not be disapointed. Late in the novel we are introduced to Armenian character, and we are eventually transported to Armenia with some of the characters. Ignatius gets nearly every detail right, and it was as though I had actually visited Armenia, however briefly.

8 of 8 people found the following review helpful.
another good one
By MS
Another god one by David Ignatitus. Not great but good. Story really picks up in the second half. i just read it so it was a little dated, but still worth the read. Agents of Innocence is still the first and best place to start if you have not read any of his novels. His fiction is based on fact and if you read his column, you know nobody seems to have better sources in regard to what is going in the spy world.

8 of 9 people found the following review helpful.
LOVED IT
By Amazon Customer
IF YOU ARE LOOKING FOR AN INTERESTING READ THAT KEEPS YOU TURNING THE PAGES SIRO IS FOR YOU. I HAVE ENJOYED READING ALL OF DAVID IGATIUS BOOKS BECAUSE THEY RELATE TO REAL LIFE EVENTS, ARE EDUCATIONAL, AND HAVE SUCH WONDERFUL PLOTS. I COULDN'T PUT THIS ONE DOWN. ALTHOUGH THE ENDING WAS A LITTLE UNREALISTIC IT WAS STILL A GOOD READ.

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Creativity is fundamental to human experience. In On Creativity David Bohm, the world-renowned scientist, investigates the phenomenon from all sides: not only the creativity of invention and of imagination but also that of perception and of discovery. This is a remarkable and life-affirming book by one of the most far-sighted thinkers of modern times.

• Sales Rank: #191445 in Books
• Published on: 2004-09-29
• Released on: 2004-09-01
• Original language: English
• Number of items: 1
• Dimensions: 7.79" h x .44" w x 5.08" l, .48 pounds
• Binding: Paperback
• 192 pages

Review
"...innovative and insightful work...." -- Choice - July/Qugust 1998

About the Author
David Bohm (1917-92). Renowned physicist and theorist who was one of the most original thinkers of the second half of the twentieth century.

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0 of 0 people found the following review helpful.
Five Stars
By Michael Pryzdia
Every artist should read this book.

61 of 62 people found the following review helpful.
He was a remarkable man.
By Frank Bierbrauer
Once again David Bohm, one of the most original of thinkers, has demonstrated his ability to make original and fascinating discoveries in regard to, let us say, life in general. This is a combination of physics, biology, philosophy etc etc or as it used to be called natural philosophy. Bohm was one of this century's last remaining natural philospohers in a time of specialisation, in some ways akin to Robert Rosen, Darcy Thomson or Einstein all of whom were willing to expand their frontiers beyond their areas of specialisation. What singles Bohm out is his deep investigation of all aspects of thought especially the study of thought itself, its origin and dissolution and is human life possible without it, in other words is thought all there is or does being human mean a great deal more and other ?
In this short text Bohm looks at creativity, what it is, what it means in human life, how it works and various other aspects. Bohm, like in his other works, shys away from any form of solid definition, this is done on purpose, rather than because of a lack of understanding, Bohm insists that any form of thought, concept, idea which becomes crystalised as the "whole truth and nothing but the truth" interferes with the natural flow of reality which is ever changing and never static, this includes ideas as well which are insights about this flow (expanded on earlier in eg "Wholeness and the Implicate Order"). In this book he considers something he calls artamovement or "the art of fitting in the flow", here the word fit is in fact the meaning of art, in fact all forms of human endeavour are a form of art. This fitting in is the way people find out whether something is true or right in a context.
This, as usual, is highly original and especially true to itself, Bohm always writes what is true to itself and himself, he never, right until his dying day, failed to expound the truth whether he liked it or not. He epitomises the true seaker of knowledge which today is often smothered by individual desires, political expediency, domination from others or downright egotism. He was a remarkable man.

42 of 47 people found the following review helpful.
Science and Art
By Dorion Sagan
Consisting of four essays and an interview with Louwrien Wijers, On Creativity provides a clear window into the ruminations of physicist David Bohm. Author of a textbook on quantum mechanics, Bohm is best known for his speculations on "the implicate order," a world view which draws on quantum mechanics in an attempt to go behind colleague Niels Bohr's "Copenhagen Interpretation"-to wit, that the mathematics of quantum theory, which lead to paradoxes in the macroscopic realm, should not be construed as anything more than mathematical treatments that work. This view, or rather non-view, was not acceptable to Einstein. The basic solution of Bohm is to suggest that our entire three-dimensional reality, which shows evidence of nonlocality-the instantaneous measurable correlation of attributes of distant particles-is a projection of a deeper "enfolded" realm. These essays, however, with titles such as "On creativity," "On the relationships of science and art," "The range of imagination," and "The art of perceiving movement" are not overly recondite, abstruse, or abstract-let alone mathematical. In On Creativity, for example, Bohr analyzes what makes not just a great, but a truly original scientist, such as Newton and Einstein (with whom Bohm corresponded). Perhaps surprisingly, he includes Helen Keller and her teacher Anne Sullivan in their company. The reason has to do with Bohm's emphasis on an open-minded attitude, free of worldly obsessions such as career advancement or "kicks," that allows the truly creative mind to bust through societal blinders and see the world as a whole in a new way. In the case of Sullivan she exposed Keller, deaf and blind from birth, to water in a variety of settings, writing the word on her hand. At a given point, Keller, who was animalistic before, put the different stimuli together, seeing their underlying unity. This is the kind of unity that Bohr argues Newton discovered in his realization that planets, like apples, fall-only much more slowly-a view that dispensed with the prevailing notions of the Greeks, who distinguished between the perfection of the celestial, and the imperfection of the earthly realm. Einstein went further, showing that seemingly equidistant and simultaneous times and places really depended upon the relationship of observers to observed. What is wonderful about Bohm is that he is deeply immersed in and respectful of, art and philosophy and religion. A close friend of Krishnamurti, he relates the work of Hegelian philosophy and Coleridgian poetics to scientific inquiry; he says he personally was inspired by artists. For example, in the essay, "The Range of Imagination," he attempts to link art to science by starting with Owen Barfield's analysis of Coleridge's distinction between two kinds of imagination-primary imagination and fancy. Although they are linked-mutually implicated is as everything else in Bohm's implicate universe-the primary imagination is much more than just putting things together in pleasing shapes. Perhaps the single biggest insight in this book, which everywhere battles what Bohm considers to be the deleterious effects of fragmentation (and mediocrity, conformity, and "the mechanical") in thinking, is his emphasis that, in great art, no less than great science, the truth is not necessarily what is liked. The truth is what we find *whether we like it or not*--and this scientific spirit needs to apply to art as well. In a way, however, this brilliant exposition creates a contradiction for Bohm, as he elsewhere identifies the true with the beautiful (in large part due to the aesthetic criterion of elegance for choosing among competing world views and mathematical theories). The book might also be criticized for being stylistically bland even as it sings the praises of art, as well as perhaps politically naive in tracing human malaise to an abstraction so great as "the fragmentary." Nonetheless, this work is highly recommended for its analysis of the fascinating, still woefully underexplored terrain connecting art and science.

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