Senin, 25 Januari 2010

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A Gambler's Anatomy: A Novel, by Jonathan Lethem

The author of Motherless Brooklyn and The Fortress of Solitude returns with a devilishly entertaining novel about an international backgammon hustler who thinks he's psychic. Too bad about the tumor in his face.

Handsome, impeccably tuxedoed Bruno Alexander travels the world winning large sums of money from amateur "whales" who think they can challenge his peerless acumen at backgammon. Fronted by his pasty, vampiric manager, Edgar Falk, Bruno arrives in Berlin after a troubling run of bad luck in Singapore. Perhaps it was the chance encounter with his crass childhood acquaintance Keith Stolarsky and his smoldering girlfriend Tira Harpaz. Or perhaps it was the emergence of a blot that distorts his vision so he has to look at the board sideways.

Things don't go much better in Berlin. Bruno's flirtation with Madchen, the striking blonde he meets on the ferry, is inconclusive; the game at the unsettling Herr Kohler's mansion goes awry as his blot grows worse; he passes out and is sent to the local hospital, where he is given an extremely depressing diagnosis. Having run through Falk's money, Bruno turns to Stolarsky, who, for reasons of his own, agrees to fly Bruno to Berkeley, and to pay for the experimental surgery that might save his life.

Berkeley, where Bruno discovered his psychic abilities, and to which he vowed never to return. Amidst the patchouli flashbacks and Anarchist gambits of the local scene, between Tira's come-ons and Keith's machinations, Bruno confronts two existential questions: Is the gambler being played by life?  And what if you're telepathic but it doesn't do you any good?

  • Sales Rank: #12904 in Books
  • Published on: 2016-10-18
  • Released on: 2016-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.00" w x 6.40" l, 1.25 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Gambler's Anatomy Jonathan Lethem

Review
"In his new novel, he seems to be channeling (and, as usual, transforming) both Thomas Pynchon and Ian Fleming...in short, just another day in Lethemland, as strange and wondrous in its way as anyplace imagined by L. Frank Baum."
--Chicago Tribune 

"A thoughtful, first-rate novel that also happens to be a page-turner."
--New York Times Book Review

"Delightfully weird..."
--Vogue

"A Gambler’s Anatomy will lead more than one reader to rummage around in the back of their closet (or local toy store) for a backgammon set…mesmerizing, twisty, fearless.”
--San Francisco Chronicle

“An effortless blend of comic hijinks and madcap tragedy…Lethem serves up a punchy, stylish, relentlessly entertaining novel.”
--Star Tribune

About the Author
JONATHAN LETHEM is the New York Times bestselling author of nine novels, including Dissident Gardens, The Fortress of Solitude, and Motherless Brooklyn; three short story collections; and two essay collections, including The Ecstasy of Influence, which was a National Book Critics Circle Award finalist. A recipient of the MacArthur Fellowship and winner of the National Book Critics Circle Award for Fiction, Lethem's work has appeared in The New Yorker, Harper's Magazine, Rolling Stone, Esquire, and The New York Times, among other publications.

Excerpt. © Reprinted by permission. All rights reserved.
9780385539906|excerpt

Lethem / A GAMBLER'S ANATOMY

One

I

It was there when he woke up. Presumably also when he slept. The blot. Standing alone at the back of the sparsely populated ferry to Kladow, mercifully sheltered behind safety glass against the chill of the lake at evening, Alexander Bruno could no longer deny the blot that had swollen in his vision and was with him always, the vacancy now deforming his view of the receding shore. It forced him to peer around its edges for glimpses of the mansions and biergartens, the strip of sand at the century-­old lido, the tarpaulined sailboats. He’d come to Berlin, half the circumference of the world, two weeks ago, whether to elude his fate or to embrace it he couldn’t know.

He’d been biding his time in Charlottenburg, breakfasting at the quiet cafés, watching the days grow steadily longer, overhearing more spoken English than he’d have preferred, running through his last funds. His tuxedo had remained in its hanging bag, his backgammon case latched. All the while the blot had been with him, unacknowledged. Bruno its carrier, its host. He’d passed through customs with the innocence of the accidental smuggler: Nothing to declare. It was only after having at last called the number provided him by Edgar Falk and consenting to visit the rich man’s house in Kladow, only upon his waking, this very day on which he’d dusted off tuxedo and backgammon case, that the blot had insisted he grant its existence. An old friend he’d never met but recognized nevertheless.

Why get too fancy about it? He might be dying.

Under the circumstances of Bruno’s dread, the slide of the S-­Bahn through the endless roster of stations from Westend to Wannsee had seemed as long as his voyage from Singapore to Berlin. The German city, with its graffiti and construction sites, its desultory strips of parkland and naked pink water pipes, had its own sprawl and circumference. Berlin wended through time. On the S-­Bahn toward Wannsee the tall girls in black leggings with bicycles and earbuds, so prevalent in Charlottenburg and Mitte, had thinned out, replaced by dour Prussian businessmen and staring grandmother types, slouching home with briefcases and shopping bags. By the time of the ferry there was little to defeat the irresistible illusion that the city was newly vanquished and carved into sectors, that the prevailing silence and gloom derived from remorse and privations not seventy years past but fresh as smoldering rubble.

When Bruno had called to ask his host for directions to Kladow, the rich man told him that the ferry across the lake at evening was an experience he shouldn’t miss. Bruno, the German had said, should keep his eye out on the right for the famous Strandbad Wannsee, Berlin’s traditional resort beach, and, on the left, for the Wannsee-­Konferenz villa. The site of the Final Solution’s planning, though Bruno had needed this legacy explained by his hotel’s concierge. Of course, scanning for it now, Bruno had no way of distinguishing the site from other mansions arrayed on the western shore, each of which heaved into the void at the center of his sight.

For how long had Bruno considered the blot nothing but a retinal floater grown mad or the looming ghost of his inattention? Only a fool wouldn’t connect it to the perennial headache that had caused him, as he’d walked from the Wannsee S-­Bahnhof through the steep park leading to the boarding dock, to shuffle his fingers into his tuxedo jacket’s interior pocket in search of his packet of paracetamol, that incomparable British aspirin on which he’d grown dependent. Then to gulp down two pills, with only the shimmering lake before him for water. He’d accept the verdict of fool if it meant the paracetamol repaired his sight. Made a full cake of that which was presently a doughnut: the world. He raised his hand. The blot obscured his palm as it had the shore. Bruno noticed he’d lost a cuff link.

“Excuse me,” he said. He said it to a tall girl in black tights, one of those who’d journeyed in his car of the S-­Bahn, all the way from the fashionable Mitte, to board the ferry. She’d maneuvered her bicycle into the ferry’s rack before joining him at the back windows. Bruno spoke to excuse crouching at her knees to feel on the floor, on the chance that the cuff link had only tumbled down at his feet. A hopeless impulse, like the drunkard in the joke who, wandering at night on a side street, and discovering he has lost his key, searches not in the place he believes it was lost but instead beneath a lamppost, simply because the light is better there.

The joke came to mind because the girl crouched to help, without knowing what she was looking for. In the joke, the drunk was aided by a policeman, who searches for a while beneath the streetlamp too. Now, as she bent to join him, Bruno saw that girl wasn’t actually the right word. Her lined face was both severe and attractive. So many women in Berlin, athletically slim, dressed in a universal costume and couldn’t be judged for age by their outlines.

“Kontaktlinsen?”

“No . . . no . . .” The Berliners all spoke English, and even when they didn’t, the meanings bled through. In Singapore the alien tongues of Mandarin, Malay, and Tamil had left him happily sealed in his cone of incomprehension. Did she guess that the problem was with his eyes because he groped like a blind man?

“Kuffenlinksen . . .” he bluffed, pinching his loose sleeve. He doubted it was a word in any language. Additionally I am probably also soon losing my life, he added in pidgin telepathy, just to see if she was listening.

She showed no sign of having read his thoughts. He was relieved. Alexander Bruno had forsaken thought transference years ago, at the start of puberty. Yet he remained vigilant.

“English?” she asked.

Bruno enjoyed being mistaken for British. With his height and high cheekbones, he’d been told he resembled Roger Moore, or the bass player from Duran Duran. More likely, however, she only meant the English language.

“Yes,” he said. “I’ve dropped a piece of jewelry. I’m sorry, I don’t know the word in German. Man jewelry.” He displayed his cuff, which was slightly foxed, scorched by hotel-­room ironings. Let her see it. Bruno was aware that his appeal was that of a ruined glamour. His neck and jaw, considered in the mirror lately, were those of the father he’d never known. The flesh only tightened over Bruno’s chin in the old familiar way if he thrust his jaw forward and tilted his head back slightly, a pose he’d recognized as definitive of middle-­aged vanity. He caught himself at it frequently.

Now he looked not into the mirror but into the face of the ­would-be rescuer of his nonexistent contact lens. White hair interspersed with the blond. Enticing lips framed by deep lines—­to Bruno, expressive, though they must have bothered her. Two humans beyond their prime, but hanging in. He had to deflect his glance in order to see her at all, likely making him appear more bashful than he felt. “Never mind,” he told her. “I’m sure I lost it on the train.”

Flirtation, so effortlessly accomplished. Mention of the train had done it. Train unspecified; they both knew which. They’d ridden together and now shared the ferry, and though a thousand identical to her might have strolled past his Charlottenburg café window in two weeks, the shared destination worked its paltry magic. And both tall. This little was enough to excuse lust as destiny.

Bruno had imagined a day when he’d outgrow distractibility. Instead, approaching fifty, the window of his interest had widened. Women once invisible to his younger self were now etched in flame in his imagination. This wasn’t erotic propriety. Bruno was still capable of desiring the younger women who no longer—­mostly—­returned his glances. But those his own age, their continuing fitness for the animal game newly visible to him, these he found more arresting, for their air of either desperation or total denial. Would he eventually crave the grandmothers too? Perhaps by that time the blot in his sight would have expanded to a general blindness, and so have freed him.

They stood. “I’m Alexander,” he said, and offered his hand. She took it.

“Madchen.”

The question was in what language they’d extend their special destiny. English, or . . . ? Not German, since Bruno had none. English or the language of no language, which he preferred. He began slowly and deliberately, but with care not to suggest idiocy on either of their parts. “I have an appointment in Kladow. It is at a private home. I am expected alone, but it would surely delight my host if I arrived with you as a guest.”

“I’m sorry?” She smiled. “You would like—­?”

“I’m hoping you’ll join me, Madchen.”

“To a dinner, ja? Sorry for my not-­good English.”

“I should be the one to apologize. I’m the visitor in your country. It’s not a dinner exactly. An . . . appointment.” He raised his back­gammon case slightly. If she took it for a briefcase, she wasn’t precisely wrong. The tools of his trade. “But there’s sure to be something to eat, if you’re hungry. Or we can go out after.”

I will never lie to you, he promised silently, again just in case she could hear. Bruno had only encountered a small scattering of those in whom he observed the gift of telepathy he himself had renounced. But you never knew.

“It is very nice, what you ask, but I think I can’t.”

“You’d be completely welcome.”

“If it is your work?”

“I’m a gambler,” he said. “You would be my good-­luck charm.” Steadi­ness and poise, these were Bruno’s old methods. He wasn’t going to let the blot make him squirrelly.

She didn’t speak but smiled again, confused.

“You’re beautiful,” he said.

They should have had a bar on this ferry, and an ocean for the ferry to cross. Instead the voyage was concluding. The boat had curled around a small island, into the landing at Kladow. The passengers bunched at the doors.

“Or, afterward,” he conceded. “I could call you when I’m finished.” He gestured at the twilit town beyond the ferry dock. “Have you a favorite place for a late drink?”

“In Kladow?” Madchen seemed to find this funny. She raised her bicycle’s front wheel to free it from the rack.

He drew his phone from his tux’s interior breast pocket. “Will you give me your number?”

She raised her eyebrows, glanced to one side. Then took his phone from him and, scowling intently, keyed a string of numbers into the device and returned it to him. The ferry emptied quickly. They brought up the rear, shuffling out along the short pier where others now queued for the return crossing. Under the Kladow docks, a family of swans bobbed together. Farther from the boats, he saw a diving cormorant. The bird called Bruno to some memory he couldn’t quite retrieve . . .

He scanned the near shore for the car the rich man had promised to send. The view confirmed the ferry’s power as a time machine, one which had transported them from the fashionable Mitte, the urbane international Berlin of present reputation. Alt-­Kladow stood clustered uphill, a sleepy nineteenth-­century village. Perhaps it was here German life truly resided, fires banked against history. Bruno might understand Madchen’s amusement at the suggestion of a late drink now. Though the shorefront was strewn with cozy biergartens, he’d be surprised if they remained open much past sundown on a ­Wed­nesday. The crowd from the ferry lowered their heads and trudged past the biergartens’ wooden-­bower entrances, hell-­bent for domestic finish lines.

“Do you live here?” he asked.

She shook her head. “I come to do . . . kindersitting. For my sis­ter’s girl.”

“Your niece.”

“Yes.”

They crossed the street, Madchen wheeling her bicycle by her side. They passed a workman who knelt in a scattering of loose squarish stones, which he pounded with a large block hammer into the familiar grid pattern that made up Berlin’s sidewalks. Bruno had never seen the stones dislodged from the ground until now. They seemed a reminder to him of his trade, his purpose here. Berlin was paved with unnumbered dice, smashed flush to the ground with wooden mallets.

As the few vehicles meeting the ferry departed, and the crowd of walkers filtered up the hill, Bruno spotted the car he’d expected, the car the rich man had sent for him. A Mercedes-­Benz, two decades old but impeccable. Another output of the time machine. The driver, crew cut and thick of neck, examined Bruno, who would have fit the description he’d provided the rich man, except for the presence of his companion. Bruno held up one finger, and the driver nodded and rolled up his window. Madchen followed his glance.

“Madchen—­” He took the tip of her chin gently between his thumb and forefinger, as if adjusting a framed picture slightly skewed on a wall. The nearer he brought her face to his, the less the blot mattered. As if he’d invited her in, behind its curtain. “One kiss, for luck.”

Her eyes closed as he leaned in and brushed her lips with his. Bruno felt a surprising numbness in his lips. He hadn’t noticed feeling cold. You have been kissed, Madchen, by a vision in a tuxedo. Albeit one not so well preserved as the car that had come to collect him.

“I’ll call when I’m done.” He thought of his earlier promise. One enforced the other.

Madchen drew back and shed a last curious smile, then slid onto her bicycle and was gone, into the center of his blot and up the hill. By the time Bruno entered the backseat of the waiting car, she wasn’t to be seen. He glanced once more shoreward, at the jostling swans, the bobbing fearless cormorant, then nodded to the driver. The Benz crawled up the same road she’d taken, the only route into Alt-­Kladow.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Rich characters, brisk plot, great read
By HT
Alexander Bruno is a backgammon gambler. The novel opens as he is traveling to Germany to play against a wealthy man. Unfortunately the "blot" that blocks his vision - and may also block others from reading his mind - intrudes in the game. The novel takes a step back to show how he got to Germany then forward to the United States.

Bruno is an outsider, set apart by his affliction - similar to Lethem's hero Lionel Essrog in Motherless Brooklyn. As the story progresses, Bruno ends up in Berkeley, where he grew up, under the assistance of an old acquaintance who has become rich. Things get ... um ... complicated. The joy of the story is the unveiling of the plot so I won't go into it much here; other than to say that his benefactor becomes his nemesis.

From Bruno's journey through the past we see why he became a loner; for all intents and purposes he is an orphan. Through it all he developed a method to separate himself from his surroundings - maybe the blot helps. When the blot is removed will his defenses come tumbling down?

I see many parallels between Bruno and Lionel Essrog; both are outsiders, both are motherless, both have benefactors who come and go. Bruno has two: Edgar Falk who is his sponsor of sorts at the beginning of the story; then later Keith Stolarsky. Not to say the two novels are the the same story - they are quite different.

The strength of the novel is its immediacy - we get right in the middle of Bruno's thoughts and the loneliness of his travels. His life is bleak and we are right there to see the causes and effects. And the chapter on the surgeon and the surgery to remove the blot is gripping. Lethem has a mastery of the language that held me rapt, turning page after page.

In the end this novel is not of the same caliber as Motherless Brooklyn. The ending wraps up a little too neatly. All the same it is a very good book. If you only read one Lethem book make it Motherless Brooklyn; that will most likely lead you to another - this would be an excellent followup.

1 of 1 people found the following review helpful.
Disappointed
By R. S. Marandino
Starts strong but ends weak. May have enjoyed more if I knew more about backgammon and Berkeley California. Expected more.

3 of 4 people found the following review helpful.
Disappointing
By Kirk McElhearn
I've read and enjoyed a few of Lethem's novels, but this one simply isn't very good. The plot is thin, and the writing at times is that of a first novelist. Like so much literary fiction these days, he creates characters that are simply not believable; people with quirk after quirk, because that's what many authors think works. I found the story to be uninteresting, and I skimmed the last third of the book.

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Kamis, 21 Januari 2010

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Fortress Introduction to the Gospels, by Mark Allan Powell

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Fortress Introduction to the Gospels, by Mark Allan Powell

With clarity and verve, Mark Allan Powell describes the contents and structure of the Gospels, their distinctive characteristics, and their major themes. An introductory chapter surveys the political, religious, and social world of the Gospels, methods of approaching early Christian texts, the genre of the Gospels, and the religious character of these writing. Included also are comments on the Gospels that are not found in the New Testament. Special features, including illustrations and more than two dozen special topics, enhance this convenient volume.

  • Sales Rank: #277538 in Books
  • Published on: 1998-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .45" w x 5.50" l, .52 pounds
  • Binding: Paperback
  • 196 pages

About the Author
Mark Allan Powell is a Professor of New Testament at Trinity Lutheran Seminary and an internationally recognized theologian and Bible scholar. The author of more than 25 books and 100 articles, Dr Powell has served as a Visiting Professor at universities such as the University of California, Berkeley, Vanderbilt University, and the University of Chicago, as well as at schools in Estonia, Tanzania, and Russia. He is best known for his work in literary criticism, Matthean studies, and historical Jesus studies.

Most helpful customer reviews

26 of 26 people found the following review helpful.
A great textbook
By A Customer
I have used Powell's book as a text for my undergraduate "Life and Teachings of Jesus" course during this past year. It is extremely well written and organized. Powell has a gift for presenting complex information in accessible form. The charts and tables in the book are particularly helpful and to the point. My students consistently compliment the book for its content and clarity. The only disappointment is that the chapters on each of the four canonical gospels are not structured in a way that mirrors their narrative shape. The struggle to lead students through the worlds created by the gospels and to present relevant critical issues at the same time is most difficult. Powell balances these concerns as well as anyone and much better than most. If only there was space in such a textbook to lead students to a discovery of the themes of the gospels instead of listing and describing them. That is a task still left to the instructor, but Powell's book provides excellent support.

14 of 14 people found the following review helpful.
Great Introduction
By A Customer
This is a very good book for summarizing dozens of scholarly fields into a coherent 'Introduction' of the canonized gospels. Great starting poing if you don't know much about Q or the M and L material. Sufficient discussion about the characteristics and histories of the four gospels. My only knock against this book is that the author too often makes the statement 'most scholars' in order to back a particular hypothesis - refuting a quote from the book that evidence should be 'weighed, not counted.' Still, I learned a lot from the book and would recommend it to anyone interested in the history of the New Testament texts.

17 of 18 people found the following review helpful.
A great introduction to the gospels
By Kellyannl
Most biblical studies are quite frankly designed for scholars and seminary students. As a general reader, I can unhesitatingly recommend this small volume that helps you understand the basics of the Gospels.
There are three sections for each of the four Gospels, discussing Characteristics (what makes it different from the other three Gospels), Historical background (where, when and why they were probably written and whether Matthew, Mark, Luke and John actually wrote them) and Major Themes (the messages that each writer wanted to get across). Things that the general reader might not be aware of, like the phantom "Q" Gospel that probably provided Matthew and Luke with material and the controversy over whether John or Lazarus was the "Beloved Disciple", are introduced in easy to understand fashion without overwhelming non-scholars. There is also an appendix summarizing the "Gnostic Gospels" which, although I wouldn't count on finding them in new copies of the New Testament anytime soon, are gaining credibility with scholars (especially the Gospel of Thomas).
I found it interesting and informative.

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Sabtu, 16 Januari 2010

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How to Make White People Laugh, by Negin Farsad

From the acclaimed writer, director, and star of the hit documentary The Muslims are Coming! comes a memoir in essays about growing up Iranian-American in a post-9/11 world and the power of comedy to combat racism.

Negin Farsad is an Iranian-American-Muslim female stand-up comedian who believes she can change the world through jokes. And yes, sometimes that includes fart jokes. In this candid and uproarious book, Farsad shares her personal experiences growing up as the "other" in an American culture that has no time for nuance. In fact, she longed to be black and/or Mexican at various points of her youth, you know, like normal kids. Right? RIGHT?

Writing bluntly and hilariously about the elements of race we are often too politically correct to discuss, Farsad takes a long hard look at the iconography that still shapes our concepts of "black," "white," and "Muslim" today-and what it means when white culture defines the culture. Farsad asks the important questions like, What does it mean to have a hyphenated identity? How can we actually combat racism, stereotyping, and exclusion? Do Iranians get bunions at a higher rate than other ethnic groups? (She's asking for a friend.)

HOW TO MAKE WHITE PEOPLE LAUGH tackles these questions with wit, humor, and incisive intellect. And along the way, you might just learn a thing or two about tetherball, Duck Dynasty, and wine slushies.

  • Sales Rank: #148112 in Books
  • Published on: 2016-05-24
  • Released on: 2016-05-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 1.00" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 256 pages

Review
"This book is more than funny-it's on David Sedaris-level first-class perfect fucking hilarious funny. I laughed so hard, I made a spectacle of myself."―Julia Sweeney, Comedian, Writer, and former SNL cast member

"A hilarious and personal take on the complexities of being non-white in America today. This book makes racial politics a bit easier to swallow."―Reza Aslan, bestselling author of No god but God and Zealot

"Apparently, Negin did not spend her childhood in the Irish countryside. She was never a beat jazz innovator, and her marriage to Douglas Fairbanks was unconsummated. This long overdue book not only 'sets the record straight' but also improves the whole structure of society. I thank Ms. Farsad for that. You should do the same."―Janeane Garofalo, Comedian

"Negin Farsad whips out some smart racial politics . . . with a side of fart jokes and the result is a hilarious and pungent book."―Aasif Mandv, Daily Show correspondent, actor and author of No Land's Man

"Farsad's fresh and funny voice is perfect for presenting tactics to fight anti-Muslim sentiment in the U.S., and her work is intriguing and enjoyable to read."―Publisher's Weekly

"How to Make White People Laugh will help answer some of the questions people have been too scared to ask. And get you laughing."―Refinery29

"Well-written [and] disarmingly funny."―New Boston Post

"Hilarious and groundbreaking...Farsad carves out a new space to talk about cultural and political identity."―BookWitty.com

About the Author
Negin Farsad is an American comedian, actor, writer, and filmmaker of Iranian descent based in New York City. Like most comedians, she has a master's degree in African-American studies. She was named one of the 53 Funniest Women by the Huffington Post, one of 10 Feminist Comedians to Watch by Paper magazine, and was selected as a TEDFellow for her work in social justice comedy. She has written for/appeared on Comedy Central, MTV, PBS, IFC, Nickelodeon, and others. She is director/producer of the feature films Nerdcore Rising starring Weird Al Yankovic and The Muslims Are Coming! starring Jon Stewart, David Cross, and Lewis Black (both available on Netflix). Her next film, 3rd Street Blackout, starring Janeane Garofalo and Ed Weeks, will be released in 2016.



Most helpful customer reviews

0 of 0 people found the following review helpful.
Crossing the Cultural Divide
By Fremont Williams
A humorous yet poignant account of growing up Iranian American in a White majority culture and trying to find her place in it. The author even identifies with African Americans since they are a minority group set apart from White privilege. Humor turns out to be a good coping mechanism in navigating these cultural waters and she is like an Ambassador for crossing the cultural divide and understanding and accepting our differences. As maya Angelou said, "We are more alike, my friends, than unalike!"

1 of 1 people found the following review helpful.
Five Stars
By Julia Strange
Hilarious!

0 of 0 people found the following review helpful.
This book was SO funny that I bought it for 2 friends
By Amazon Customer
This book was SO funny that I bought it for 2 friends. Favorite book of the last few years

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Rabu, 13 Januari 2010

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Explicit Instruction: Effective and Efficient Teaching (What Works for Special-Needs Learners) 1st edition

  • Published on: 1705
  • Binding: Paperback

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Kamis, 07 Januari 2010

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A Fortress for Well-Being - Baha'i Teachings on Marriage, by Baha'i Publishing Trust

  • Sales Rank: #5235065 in Books
  • Published on: 1973
  • Binding: Paperback

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The mango is one of the oldest cultivated fruit crops, having been grown in India for at least 4000 years. Mango is the most important fruit crop of Asia and its annual production is exceeded worldwide only by Musa, citrus, grapes and apples. During the last decade there has been a huge increase in mango production as markets have been developed in Europe and North America. There is now substantial mango production in central and South America, as well as an expanding industry in regions such as northern Australia, South Africa, Israel and southern USA.

There has been no comprehensive scientific book on all aspects of mango, considered on a worldwide basis, for more than 30 years. This book aims to fill this gap, addressing all issues related to mango biology, production and utilization. Written by leading research workers from the USA, India, Pakistan, Australia, South Africa, Mexico, UK, France and Israel, it represents a standard, definitive work on the subject.

  • Sales Rank: #4903883 in Books
  • Brand: Brand: CABI
  • Published on: 1997-02
  • Original language: English
  • Dimensions: 9.70" h x 1.50" w x 6.80" l, .0 pounds
  • Binding: Hardcover
  • 592 pages
Features
  • Used Book in Good Condition

Review

"I believe this book will find a wide readership. To specialists in tropical fruit research it will be indispensable. Many other horticultural researchers, extension workers, and consultants will use it. It is primarily a reference book that should be included in all good horticultural libraries, and it is a good addition to the world literature on mango."--HortScience


About the Author
Richard E. Litz, Tropical Research Education Center, University of Florida.

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